So you plonked down some semi-serious dough for that big old digital-SLR
camera. Surely paying that much money means you can't fail producing some really
great snapshots right? Hell yeah! Why do think I paid all that money in the
first place… For that kind of money I expect it’s guaranteed that I’ll
become a great photographer.
Then you actually try to use the infernal contraption.
You thought parting with several hundred dollars was hard... just wait until
you see those first few hundred photos. After about the 500th waxy-milky-fuzzy
image you have to make a decision: you are a crap photographer, or its a crap
camera.
Here's a hint: its not the camera.
Your New Favourite Letter: “M”
If you want to make interesting photos you’ve got to use the interesting
settings. Using your camera into a glorified "point-and-shoot” by leaving it on
all automatic settings is a phenomenal waste of money! Get used to “manual” mode
– you get so much more control over how your pictures look when you
choose the settings, F-stop, ISO, shutter speed and the focus—oh yes, you’re
even going to turn off the auto-focus so no machine is going to decide with IT
thinks you’re pointing the camera at!
Flip open your cameral manual and find out how to turn off every automatic
setting you can find… If you’re not quite ready to walk the tightrope without a
net, your DSLR probably has several modes that let you turn off just one
automatic feature at a time. Isolating your learning to one feature at a time is
a great way for you to put the feature into terms that you understand instead of
the mumbo-jumbo you might encounter in a poorly selected “how to” book.
Your New Favourite Word: Exposure
Learn it, live it, love it. Having a good camera is all about how you expose
the sensor to light. Control over exposure means three basics: aperture, shutter
and ISO. If you’ve tried out turning off at least one feature at a time, you’ve
probably noticed how variable your results can be… and probably many of them are
just too dark. It’s amazing how the wrong setting can make a bright summer
afternoon look like the middle of the night through your camera.
Not to worry, that’s what this learning is all about. Here’s some of my
amateur thoughts on the main controls:
F-Stop
F-stop controls how much light comes in to the camera at once—too much light
rushing in can wash-out the picture, especially out-of-focus areas like turning
your blue sky of fluffy clouds into a flat, greyish blank background. A little
less F-stop and you can get nice soft backgrounds, handy for portraiture. Take
it too far down and your images are faded, the colours can go kind of flat.
Shutter Speed
Shutter speed also determines how much light reaches your camera sensor, but
it’s how much light enters over time. Faster shutter speeds are going
to make images darker because they’re not exposed to enough light to make a real
impression. This could be exploited to make nice silhouettes. Slower shutter
speeds are going to let light areas of your images “burn”. Stuff like clouds
will seem to glow with an annoying coloured-fringe at the edges, but some of
that depends on the quality of the camera’s sensor. Not so good sensors will
probably have more fringe or more colourful fringe.
ISO
Considering the higher the ISO number, the grainier your images can appear
(you know, globs of colour that run into each other instead of tiny points of
colour), I like to keep the ISO low—200 or 400 if I’m outdoors. ISO 100 seems
too hard to me and really takes the pop out of most scenery shots so 200 is
often my minimum. Indoors, the sensitivity is going to have to go up to 800 or
your images are going to be very dim.
A flash would let you lower your ISO below 800, but if you’re a snap-happy
freak like me you’re better off avoiding using the flash as this is going to
annoy your average party-goer or art-gallery/museum patron. For now trying to
get the best photo without resorting to flash is my current challenge. I’ll
either master it or I’ll learn how many flashes-per-minute will annoy the
average person on the street then stay under that number.
Now That I've Told you It's All-Right to Fiddle-- Stop Fiddling
If you're ever going to enjoy that camera of yours, find your exposure
setting quickly… only practice is going to help here. Once you have your
settings right, you probably don't need to change them all that soon, especially
if your outdoors since lighting depends more on time of day and weather and
those don’t change all that quickly. So stay still and keep trying variations on
your settings until you get it right (as in you like what you see coming out of
the LCD screen on the back of your DSLR) then forget about the exposure and
start looking for things interesting to photograph.
Conclusion
If the above sound like a lot of work, save yourself some money: return the
expensive DSLR and get a point-and-shoot camera instead. Resolutions on these
are the same DSLR resolutions from cutting-edge cameras from two years ago and
you’re going to enjoy the same automatic-mode settings as the DSLR but for less
money.
Really the above should sound like inspiration or at the very least
encouragement, the best part of getting a DSLR is the extra dials and switches.
Experimentation is fun, now that there’s no film to waste and you can gauge
experiment results instantly it should be more fun than ever. You can really
amaze yourself with great pictures if you’re willing to not let the
camera do all the work.
Tags: photography, dslr, imaging, colour